Category Archives: Lake Torrens Area

Old Stone Tank

It was 45 degrees on my back porch this afternoon at 3 o’clock and it wasn’t much cooler when I took this photo last week.

This old tank has seen a few hot summers and temperatures sometimes in the 50s.

It was built in the 1870 as far as anyone can remember. Even today it is still in use on Nilpena station which backs onto the eastern shore of Lake Torrens.

The tank holds a substantial amount of water from the bore and it will probably see in a few more summers yet.

Photographing in extreme temperatures in outback Australia has some advantages. There seems to be more intense and unusual colours to capture when the days are long and extremely hot.

However it’s not recommended for the inexperienced or foolhardy.

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The Desert Floor

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On the Road

Sometimes, it is just about the sky.

Motpena Station, looking east towards the Flinders Ranges.

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Patterns

Patterns, they say, are one of the so-called rules of composition and sand dunes are wonderful places to find them.

Sculpted by the wind, there is a never ending and constantly changing mix of patterns and shapes.

Desert dunes have different texture and colour to their seaside cousins.

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Hot Orange

Here is a photo that’s right out of the camera. Taken a few moments before the setting of the sun, with just a light Cokin neutral density filter used on the sky.

As can be seen by the footprints in the foreground, it is a watering hole for cattle, roos and emus on Nilpena Station out near Lake Torrens.

Obviously the intense colours of the sunset on the creek bank were the major attraction but the the pattern of the shadows and the reflections on the water added a nice touch the whole scene.

Shot at f22 for maximum depth of field, ISO 200 at 1/15th sec with a Canon 24-70mm f2.8 L series lens

WORKSHOP FEEDBACK

I received a nice email and good feedback from participants in my recent workshop at Arkaroola who had a reasonable amount of camera experience before taking part.

Hi Peter,

We’re now home after a fantastic trip.

We wanted to thank you again for sharing your knowledge and experience with us. We have both noticed a marked shift in how we approached our photos after we left you and an improvement in the quality of our shots. We can also identify more easily how we can approach each frame differently to improve it.

We learned how to use the tripod, and now using it isn’t as clunky as when we were with you. We are finding we now don’t have anywhere near as much sky in our photos as we did before, and our photos are in focus from foreground to background – mostly.

We also stopped off at The Prairie hotel on our way through – love your Lake Eyre photos, and you’re right, as they are blown up they are different again to how they appeared on your computer.

We both agree that spending the time with you was definitely a highlight of our trip.

Robyn and Mario G VIc

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Light and Colour

I have a student new to photography whose pictures don’t have much life. The subjects are interesting but the pictures aren’t conveying that. The answer won’t lie in Photoshop or Lightroom but in what happens in the field.

How many times have you seen a fantastic panorama that’s just going to be the perfect picture, but after the shot is processed or printed, its flat and lifeless.

When taking a photo, the first thing to look for is the light, secondly colour and then the subject. Getting the light to fall from the right direction will make all the difference, if colour is the main feature then it has to be brought out.

The shot above is no world beater but its got interest. It a creek that’s flowing out of the Flinders Ranges and it’s about halfway to Lake Torrens.

In previous floods the waters have cut a bank about 4 to 5 metres high. The late afternoon sun really brings out the colours in the bank.

The big advantage here is that the sunlight is going across the picture from right to left, providing contrast and therefore a sense of depth.The water is a line leading the eye through the picture and another essential is a strong foreground.

Similar treatment for this section of the creek a few hundred metres further downstream and taken 30 minutes earlier.

I visited both these spots twice just before sunset. The first time I didn’t get all the elements to gel. This was on the second day.

Both were shot at f22 for maximum depth of field and a graduated neutral density filter was used to reduce the contrast from the sky so that the details of the bank and the creek were maximised.

Levels were the only adjustment made in Photoshop.

Shooting between sunrise and 10 or from 3pm to a little after sunset are the times when most of the elements will be in favour of the photographer.

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Moonlighting

It’s that time again, when the moon is at its fullest and a good time for a photograph.

Not the easiest of techniques to master but it helps, as I have said before if you work the night before the stated date of the full moon.

That means there’s still light available from the sunset to light the landscape.

There’s a thing call the the 600 rule where if you divide 600 by the focal length of the lens you are using, you will get the amount of time you have for your exposure before the moon or stars start to track.

Tracking will distort the shape of the moon or stars will begin to show as lines of light.

So as an example 600 divided by a lens set to a focal length of 20 will give you a 30 second time frame.

This shot was taken on sand dunes to the west of the northern Flinders Ranges.

There’s still enough light for an exposure of 1.3 seconds at f22 and ISO 400. The focal length on the lens was 120mm, so there was a window of 5 seconds to take the shot…plenty of time.

The moon was low down in the sky too which is an advantage as the higher it gets, the smaller i will appear in the photograph.

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Summer Heat

This scene is not far from the shores of Lake Torrens….which have featured in the last two photographs.

These are the famous sand dunes at Nilpena station which go on for kilometres.

The shapes are always changing as the winds blow the sand around.

The hardest thing about shooting dunes is locating a really good composition and finding that just recently, you had marched right through it.

I don’t know how they made the ‘Lawrence of Arabia” movie without having this problem.

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Summer Heat

As a photograph I like this image better than the previous one. It’s just about the same location and shot at the same time but I think the composition is better even though it perhaps doesn’t convey as well the feeling of a super hot day.

However I like the desolate feeling of the place, the fact that there’s nothing apparently living in the scene. The bush on the side of the bank is long dead from the salt and the heat.

It can’t always be grand landscapes that fill these pages.

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Bring on the Heat

The temperature goes up a few degrees here….like somewhere over 50C on the shores of Lake Torrens…that vast salt lake that covers over five and a half thousand square kilometres of my state. (And they say everything is big in Texas)

The temperatures here go so high they’re frightening in summer. About 15 to 20 minutes out on the lake and my black tripod was so hot I couldn’t pick it up with by bare hands and I was very apprehensive about damaging my Canon camera and lens too.

Perhaps this photograph doesn’t quite portray the real heat of the day but I can assure you it was a bit warm.

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